Writing about Writing

Having a fever while watching THE HOME (2025) should be required for the viewing experience. This fever dream of a horror film stars Pete Davidson in a baffling, blood-soaked mess that thinks it’s clever but forgets to be coherent. I broke it down the same way I do when I screen films for festivals, so if you’ve ever wondered what screeners really say behind the scenes, or you just love a good cinematic trainwreck, this one’s for you!

Giving constructive feedback can be challenging, especially when the story isn't great. I put my own advice to the test by writing coverage for the worst double feature of the year: SNOW WHITE and A MINECRAFT MOVIE.

How to make a movie that’s 2.5 hours long and still says nothing: a lesson in mid storytelling, starring Timothée Chalamet as Bob Dylan.

From stage to screen: How Wicked’s themes and characters evolve between the musical and the film adaptation.

Can MomTok survive this coverage report? Read on for my analysis of THE SECRET LIVES OF MORMON WIVES, the best reality show in recent years.

How would THE FALL GUY fare if submitted for coverage? Find out in this post, and gain some insight into the story analysis process!